The guidelines were eventually made available to the public on May 15, 1967, when they were published in the second edition of The Black Panther, which was the party’s weekly newsletter. The sad thing is, too few have stopped to reexamine the major lessons of the 20th century and earlier. I was a musician when I met Sandy but it is important to note that by the time we began what was to become Prairie Fire we were full-time revolutionaries; music was a weapon and we were among those with skills to wield it. These political issues remain mostly unresolved by subsequent events. Revolution! We never played exclusively for the Revolutionary Union or the Revolutionary Communist Party (RCP), which we later joined. We got on the stage, set up and were getting ready to play when we heard a slow, increasing roar coming from somewhere up Market Street. Marxist History: USA: Black Panther Party The Ten-Point Program We Want Freedom. We hope that people interested in Revolutionary ideas and events will make more and better editions possible in the future. African Liberation Day demonstrations were just picking up steam in the late 1970s, along with the struggle against South African apartheid. These are the moments of the freest imagination. Mat’s book Testimony was published in 2000, and he is currently completing a solo CD. An aliveness whose next step is activism and the fight for more aliveness, for all. I’ve seen this disjunction between theory and practice in various people on the left over the years, but I saw more of the blatant hypocrisy I despised in society at large manifested by its most vociferous and committed opponents, people who called themselves revolutionary communists. Wow, this was our kind of crowd! Where are compassion and tolerance? So where are love and laughter in the future? Are you spending this season bundling up against the chill or enjoying summery southern hemisphere vibes (in which case we are... From inside flap: This edition of Prairie Fire is published and copyrighted by Communications Co. in response to a written request from the authors of the contents. Shortly after returning I was involved in a very militant and sometimes violent strike in the warehouses where I worked. Some were into women’s rights or trade-union activism. (And that this edition will fill to at least some extent the request made by its authors.) Sandy, working as a seamstress, was involved in a rowdy garment-workers’ struggle. It is not a matter of choosing between expression or control, one or the other. We played on picket lines in Milwaukee and at rallies in El Paso. During the American Revolution Bicentennial in 1976, there were demonstrations all over the country against the snow job being sold by the Powers That Be. Prairie Fire played at several of these events, including one just across the street from the White House. What I can say now is that what I experienced between International Women’s Day 1971 when Prairie Fire first performed, and the last half of 1980 when the whole thing unraveled, was extraordinary by any measure. I witnessed all the same damn hierarchical and privileged structures of knowing, being, and assigning social tasks that have been the identifiers of a class society for the past 10,000 years. Not to mention disillusioning. I am still doing it and hope to continue the rest of my life. The Weather Underground, who wrote Prairie Fire, escalated their level of violence after those murders. It is intended to prevent false and distorted reproduction and profiteering. Start by marking “Prairie Fire: The Politics of Revolutionary Anti-imperialism” as Want to Read: Error rating book. The Marx I read did not sound like the Marxism I witnessed among these people, or the kinds of social relationships they fostered every day. What the RCP and all other groups do in daily life shows us exactly the kind of society that they envision. Meanwhile, I was writing more and more songs, mostly to fit the needs of a particular event or landmark day such as May Day or in support of a particular issue or political prisoner. We were involved in the fight over the International Hotel in San Francisco, a long struggle to prevent the eviction of elderly Asian tenants and the razing of their residence. The band Prairie Fire ended at a time when the movement which had spawned it was in decline, when sectarian politics replaced solidarity and dogma replaced critique. For all the satisfaction of being an artistic contributor to liberation struggles, I came to have profound differences with the Revolutionary Communist Party and other parties, prompting an eventual break from them. Our contribution to the festivities included singing over megaphones to a throng of protesters and, later, singing at a party where people engaged in “the Bump.” This booty-contact dance was hotly debated among communists because many of our purist ilk were deeply concerned that its promulgation was a capitalist plot to subvert proletarian morality.

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