Compare Cascade Microphones Fat Head vs Royer Labs R-10 vs Rode NTR Press ‎ ↵ Enter ‎ for Accessibility for blind people who use screen readers Press ‎ ↵ Enter ‎ for Keyboard Navigation Store #0906712 Elec. It's a little darker and is not as robust as the royer. Stock transformer ($219) or Lundahl LL2912 ($349). I do prefer the royer but do use the fathead often. The Royer sounded leaner with a mid boost somewhere between 1.5 and 3k — sounding more present but not quite as ballsy as the the Fat Head in the low end… the only application that we liked the Royer better was on the clean sounds because the … Please let us know! © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001. Please enable javascript for your best B&H experience. Both models include a plastic shockmount, but the two shockmounts differ. Fat Head The Famous Short Ribbon Microphone. Also shockingly good: the Cascade Fathead Two. The email address you entered was an invalid email. It’s a very good product, if a little overpriced IMO (check out the Shinybox 46MXL for a mic that’s 98% as good for 40% the price of the Royer; I’ve used my 46MXL on sessions with my Royer for years). One of the most popular and best sounding ribbon microphones on the market. ... Royer R-121. Enter new zip code to refresh estimated delivery time. The Royer R-121 has acquired a reputation as the number one ribbon mic for guitar amps. Sonically the FatHead seemed to be right smack between the other too. #0907905; Sec. An important point to remember about directional mics … is that they are prone to the proximity effect… The combination of the Fat Head II’s dark tonality and strong proximity effect can be a double whammy. Bidirectional The Royer sounded leaner with a mid boost somewhere between 1.5 and 3k — sounding more present but not quite as ballsy as the the Fat Head in the low end… the only application that we liked the Royer better was on the clean sounds because the mid boost on the mic brought out a nice shimmer to the sound. Got 121's and a fathead with a lundahl transformer. Deal. Add at least two items to compare. The fathead is a very usable mic. Against the Royer R-121, The Fat Head was big and smooth sounding with an articulate midrange and clear top that sounded really close to the amp in the room. Serv. & Home App. with a brown body and gold grille, or with a silver body and polished nickel grille, or with a black body and polished nickel grille. In addition, the mic seems to thicken the upper bass frequencies, a coloration I often found myself EQ’ing out after the fact. Or as a stereo pair, with stock transformers ($375), Or as a stereo pair, with Lundahl transformers ($675). Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. Hd. The two models are “sonically the same” according to Cascade; the differences include: The FAT HEAD II is available in several different configurations: The Fat Head II is appropriately named: it provides a warm, plump sound, with a smooth rolloff starting around 8 kHz that finishes around 15 kHz. All other standard return policy conditions apply. I'm not sure if the samples are still there but my partner and I did a shootout on a 4/12 cab ( vintage 30s loaded ) with a Peavey head using the FatHead a Royer 121 and an AEA R-84. Unlike most ribbon motors designed today with an offset ribbon the new Cascade Fat Head houses a hand-tuned ribbon element that … The Cascade Fat Head II (w/Lundahl upgrade) was part of our $60,000 Ribbon mic shootout. We close every Friday evening to Saturday evening for Shabbos. Did we get anything wrong on this page? I'd say if you can't wait, get the the fathead now and a royer later. : Elec. You have until Feb 01, 2021 to return or exchange items bought after Oct 19, 2020. I have no issue putting a 121 right on the grill of a 100 watt Marshall. Not as bass heavy as the AEA but thicker than the Royer. Not responsible for typographical or illustrative errors. Against the Royer R-121, The Fat Head was big and smooth sounding with an articulate midrange and clear top that sounded really close to the amp in the room. Ribbon mics give you naturally smooth top end and warm character. The Cascade Fathead II is part of a new wave of affordable ribbon microphones. Gen. #0907906. (1.6 mV/Pa; 30 - 18,000 Hz), 99% pure aluminum, 2.5 micron, 1 3/4'' x 3/16''. The Cascade Microphones Fat Head II is also known as: Fathead II. The FAT HEAD II is a cosmetic upgrade to Cascade’s popular FAT HEAD passive symmetrical ribbon. Deal. The II has a larger body and a polished nickel grille. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. Lo and behold with some minor tweaks here and there they sounded so close that no one in the control room could tell them apart! Unless you’re looking for a superfat sound, I’d avoid using a Fat Head II for extreme close-miking applications. No items to compare. Next up was the AEA R-84 and here the difference was the low end… The sound vs. the Fat Head had more girth in the mid low (increased distance from the speaker would have fixed this I suspect) making for a slightly congested lower-midrange… I started using the console eq on my Ghost to see if I could get the Fat Head to sound like the others. The II is not offered with a Cinemag transformer. Speed up future orders, see order history, create wish lists, and more.

cascade fathead vs royer 121

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cascade fathead vs royer 121 2020